Catalogue · Cameras
29 items, price on request, subject to availability. Add what you need to your list and we will get back to you with a firm quote within two working days.
Arri
35 mm digital cinema cameras with a 16:9 ALEV III sensor of 3168 × 1782 photosites. PL mount; the Alexa Plus adds LDS and a control radio. ProRes HD and 2K; DNxHD and 120 fps in HD under licence, on 64 GB or larger SxS cards.
Arri
Compact cinema camera with a Super 35 ALEV III sensor (3424 × 2202) and a PL, LPL, EF or B4 mount. ProRes on CFast 2.0, up to 200 fps in HD. 4:3 and ARRIRAW licences: ProRes 4:3 and ARRIRAW, up to 30 fps in Open Gate 3.4K.
Arri
Shoulder-mounted cinema camera with a Super 35 ALEV III sensor (3200 × 1800). PL (LDS), LPL, EF or B4 mount. Premium licence: ProRes up to 4444 XQ on CFast 2.0, HD and 2K up to 200 fps; UHD and ARRIRAW under separate licences.
Arri
Compact cinema camera with a Super 35 ALEV 4 sensor (4608 × 3164). LPL, PL or EF mount. ProRes up to 60 fps on Codex Compact Drive; ARRIRAW, Open Gate and 120 fps in 4K with the Premium licence.
Blackmagic
Handheld digital cinema camera with a 6144 × 3456 Super 35 sensor. Active EF mount. Blackmagic RAW up to 50 fps in 6K, ProRes up to 4K DCI. The Pro version adds built-in ND filters.
Blackmagic
Digital cinema camera with a 4608 × 2592 Super 35 sensor. Standard EF mount, interchangeable with PL or B4 (2048 × 1152 optical resolution with B4). In 4.6K, up to 120 fps in Blackmagic RAW and 80 fps in ProRes 422 HQ.
Canon
Full-frame digital SLR with a 36 × 24 mm, 22.3-megapixel CMOS sensor. EF mount (not EF-S). H.264 video in MOV (ALL-I or IPB), Full HD up to 29.97 fps and 720p up to 59.94 fps.
Canon
Full-frame DSLR with a 36 × 24 mm, 30.4-megapixel CMOS sensor. EF mount (not EF-S or EF-M). 4K (4096 × 2160) video cropped from the centre of the sensor, in Motion JPEG up to 29.97 fps; 720p up to 119.9 fps.
Canon
Digital cinema camera with a 4096 × 2160 Super 35 CMOS sensor. EF mount (Dual Pixel autofocus), which Canon can swap for PL. XF-AVC (MXF) to CFast 2.0, up to 30 fps in 4K and 120 fps in cropped 2K.
Panasonic
Compact cinema camera with a 5.7K Super 35 sensor. Native EF mount, or a retrofitted third-party PL mount. Records MOV (H.264) or AVCHD to two SD card slots, at up to 60 fps in 4K.
Panasonic
Full-frame mirrorless camera with a 24.2 MP CMOS sensor and an L-Mount. Records MOV, MP4 (H.264, H.265) or AVCHD to two SD card slots, at up to 24 fps in 6K and 60 fps in 4K (Super 35 mode).
Panasonic
Mirrorless camera with a 10.28 MP Four Thirds Live MOS sensor and a Micro Four Thirds mount. Records MOV (H.264), MP4 (H.264, H.265) or AVCHD to two SD card slots, at up to 60 fps in C4K and 240 fps in Full HD (VFR).
Red
Modular DSMC2 camera with a dual-sensitivity GEMINI 5K S35 sensor. Lens mount as a separate module: PL, Canon, Nikon or Leica. REDCODE RAW to RED MINI-MAG up to 75 fps at 5120 × 3000, ProRes and DNxHR up to 4K.
Red
Modular DSMC2 camera with a HELIUM 8K S35 sensor. Lens mount as a separate module: PL, Canon, Nikon or Leica. REDCODE RAW to RED MINI-MAG up to 60 fps at 8192 × 4320, ProRes and DNxHR up to 4K.
Red
Compact DSMC3 cinema camera with an 8K VV sensor, also usable in 6K S35. Built-in locking RF mount, adaptable to EF, PL or Leica M. To CFexpress Type B: REDCODE RAW up to 120 fps in 8K, ProRes up to 4K.
Red
Limited edition of the V-RAPTOR 8K S35, a compact DSMC3 cinema camera with an 8K S35 sensor. Built-in RF mount, adaptable to EF and other mounts. To CFexpress: REDCODE RAW up to 120 fps in 8K, ProRes up to 4K.
Red
Compact cinema camera with a 6K S35 global shutter sensor. Built-in RF mount, adaptable to EF, PL or Leica M. To CFast 2.0: REDCODE RAW up to 40 fps in 6K (6144 × 3240), ProRes up to 60 fps in 4K.
Red
All-in-one cinema camera with electronic ND and an 8K sensor in VV, S35 or global shutter [X] VV versions. Interchangeable mount, PL as standard. To CFexpress: REDCODE RAW up to 120 fps in 8K, ProRes up to 4K.
Sony
Interchangeable-lens camera with a 35 mm full-frame CMOS sensor of approx. 12.1 effective megapixels. E-mount. Video in 3840 × 2160 at up to 120 fps in XAVC HS and XAVC S, 60 fps in XAVC S-I.
Sony
CineAlta digital cinema camera with a full-frame 8.6K CMOS sensor. Detachable PL mount and lever-lock E-mount. Records X-OCN LT, XAVC H and XAVC, at up to 30 fps in 8.6K and 120 fps in cropped 4K.
Sony
Full-frame Cinema Line camera with a 35 mm CMOS sensor of approx. 12.1 effective megapixels. E-mount. Records 3840 × 2160 at up to 120 fps in XAVC HS and XAVC S, 60 fps in XAVC S-I.
Sony
CineAlta camera with a Super 35 4K CMOS sensor of 8.9 effective megapixels. FZ mount, PL mount via adaptor. Records XAVC 4K, QFHD, 2K and HD, MPEG4 SStP and MPEG2 HD, at up to 60 fps in 4096 × 2160.
Sony
CineAlta camera with a Super 35 4K CMOS sensor of 8.9 effective megapixels. FZ mount, PL mount via adaptor. Internal recording in XAVC 2K and HD, MPEG4 SStP and MPEG2 HD, at up to 120 fps in 2K.
Sony
Full-frame Cinema Line camera with a 35 mm CMOS sensor of approx. 10.2 effective megapixels. E-mount. Records XAVC-I at up to 60 fps in 4096 × 2160, and XAVC-I and XAVC-L at up to 120 fps in 3840 × 2160.
Sony
Full-frame camcorder with a back-illuminated 6K Exmor R CMOS sensor. Lever-lock E-mount. XAVC-I, XAVC-L and MPEG HD422; 4K up to 30 fps in full frame and 60 fps in Super 35; Full HD 180 fps with version 2.0 firmware.
Sony
Handheld camcorder with a Super 35 Exmor CMOS sensor of 3840 × 2160 effective pixels. E-mount. Records XAVC and AVCHD, QFHD up to 30 fps and Full HD up to 60 fps.
Sony
FS7 and FS7 II camcorders with a 4K Super 35 Exmor CMOS sensor (4096 × 2160) and an E-mount. The FS7 II has a lever-lock E-mount and a variable ND filter. Records XAVC-I and XAVC-L, 4K up to 60 fps, Full HD up to 180 fps.
Sony
Cinema camera with an 8.6K full-frame CMOS sensor (8640 × 5760), 7.6K to 8.6K modes under a Sony licence. PL mount, or lever-lock E-mount without the PL adaptor. 16-bit X-OCN and 4K ProRes internally, up to 120 fps in 5.5K.
Sony
Cinema camera with a 6K CMOS sensor (6048 × 4032): full frame under a Sony licence, Super 35 without. PL mount, or lever-lock E-mount without the PL adaptor. XAVC 4K up to 60 fps in Super 35; 6K in X-OCN via the AXS-R7 recorder.
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